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贾平凹散文选(汉英对照)
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  • ISBN:
    9787569503388
  • 作      者:
    贾平凹
  • 译      者:
    胡宗锋,罗宾·吉尔班克
  • 出 版 社 :
    陕西师范大学出版总社
  • 出版日期:
    2019-01-01
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作者简介

贾平凹,一九五二年生于陕西丹凤。现为中国作家协会副主席、陕西省作家协会主席。著有长篇小说《浮躁》《废都》《秦腔》《古炉》《山本》等,作品被译成英、法、德、日、韩、越等文字在国外出版三十余种。曾获美国美孚飞马文学奖、法国费米娜文学奖、第七届茅盾文学奖、第三届鲁迅文学奖国内外奖项四十余种。


胡宗锋,现任民建中央文化委员会委员,中国翻译协会理事,陕西翻译协会会长, 第十二届西安市政协委员,陕西省外国文学学会副会长,陕西斯诺研究中心主任,西北大学外语学院教授、院长、博士生导师。 汉译英作品有贾平凹中篇小说《黑氏》、长篇小说《土门》等。英译汉作品有《我的中国梦》《龙与鹰:中美政治的文化比较》等。


罗宾·吉尔班克,英国中世纪英语文学博士,西北大学外国语学院副教授、院长助理。出版有英文专著《zui美丽的谎言家》《罗宾博士看陕西》《探究中国》等。与人合译的有贾平凹《废都》、叶广芩《山地故事》、杨争光《老旦是一棵树》、《中国历史文化导论》、《陕西地方文化英语读本》等。


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内容介绍

《贾平凹散文》(汉英对照)精选贾平凹近三十篇散文,包括《残佛》《西大三年》《一棵小桃树》《敲门》《不能让狗说人话》《辞宴书》《西安这座城》《我的故乡是商洛》等,以汉英对照的形式进行出版,具有很高的文学价值和文化价值。


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精彩书摘
  西安这座城
  我住在西安城里已经二十年了,我不敢说这座城就是我的,或我给了这座城什么,但二十年前我还在陕南的乡下,确实是做过一个梦的,梦见了一棵不高大却很老的树,树上有一个洞。
  在现实的生活里,老家有满山的林子,但我没有觅寻到这样的树;而在初做城里人的那年,于街头却发现了,真的,和梦境中的树丝毫不差。这棵树现在还长着,年年我总是看它一次,死去的枝柯变得僵硬,新生的梢条软和如柳。
  我就常常盯着还趴在树干上的裂着背已去了实质的蝉壳,发许久的迷瞪,不知道这蝉是蜕了几多回壳,生命在如此转换,真的是无生无灭,可那飞来的蝉又始于何时,又该终于何地呢?于是在近晚的夕阳中驻脚南城楼下,听岁月腐蚀得并不完整的砖块缝里,一群蟋蟀在唱着一部繁乐,恍惚间就觉得哪一块砖是我吧,或者,我是蟋蟀的一只,夜夜在望着万里的长空,迎接着每一次新来的明月而欢歌了。
  我庆幸这座城在中国的西部,在苍茫的关中平原上,其实只能在中国西部的关中平原上才会有这样的城,我忍不住就唱起关于这个地方的一段民谣:
  八百里秦川黄土飞扬,
  三千万人民吼叫秦腔,
  调一碗黏面喜气洋洋,
  没有辣子嘟嘟囔囔。
  这样的民谣,描绘的或许缺乏现代气息,但落后并不等于愚昧,它所透发的一种气势,没有矫情和虚浮,是冷的幽默,是对旧的生存状态的自审。我唱着它的时候,唱不出声的却常常是想到了夸父逐日渴死在去海的路上的悲壮。正是这样,数年前南方的几个城市来人,以优越异常的生活待遇招募我去,我谢绝了。我不去,我爱陕西,我爱西安这座城。
  The City of Xi’an
  I have been living in the city of Xi’an for twenty years; I dare not say that this city belongs to me or what I contribute to it; but two decades ago, when I was still in the countryside of southern Shaanxi, I dreamt about a tree which was not so tall but very old. There was a hole in the tree.
  In real life, there are forests all over the mountains in my hometown, though I have not been able to find such a tree. When I first lived in the city as one of its residents, I discovered this very tree on the street. That is true. It was absolutely identical to the one in my dream. This tree continues to grow. Every year I always inspect it once every year.  Its dead branches stiffen, yet the new growth remains as supple as a willow.
  I often stare at the empty cicada shell which has been cast off on the cracked surface of the trunk, and spend a long time feeling puzzled. I wonder how many times one cicada can shed its casing. A life which entails such a metamorphosis is really fascinating because there can be no birth without death. But where are the flying cicadas born and where do they die? At dusk beneath the setting sun to the south of the city wall, I listen to a group of crickets sing intricate melodies in the time-worn crevices within the brickwork. In a trance, I feel that this brick is me or that I am one of the crickets, staring up at the expansive sky each night, crooning as I greet every bright moon.
  I am glad that Xi’an lies in the west of China, on the vast Guanzhong Plain. In fact, only on such a plain in the west of China could a city like this exist. I cannot help but break into a folk ballad about this place:
  Loess drifts over the Qin land of eight hundred li,
  Thirty million Qin folk roar out local opera,
  A bowl of sticky noodles fills them with glee,
  But having no pepper makes them complain.
  Such a folk ballad may lack modern ambience, but backwardness in itself is not tantamount to ignorance. The power it radiates, however, is neither hypocritical nor superficial. Through scrutinizing how people used to live it generates a cold humour. What I cannot communicate by merely singing the ballad is the moving and tragic story behind it——Kua Fu chased after the sun and ended up dying from thirst on the way to the sea. With this thought in mind, a few years ago I felt I had to refuse an invitation extended to me by several people from the South of China. They head-hunted me and dangled before my face offers of sumptuous and superlative hospitality. I turned them down and would not go because I love Shaanxi; I love the city of Xi’an.
  ……
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