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英国散文名篇选注
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  • ISBN:
    9787100171717
  • 出 版 社 :
    商务印书馆
  • 出版日期:
    2019-07-01
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作者简介
  鲍屡平(1915-1995),教授,曾任商务印书馆总管理处编辑部编译员。先后在浙江大学外文系、浙江师范学院外语系、杭州大学外语系任教。1992年起享受国务院特殊津贴。主要著作有:《济慈叙事诗<伊莎贝拉>的分析研究》、《赫兹利特<初识诗人记>简说》、《乔叟诗篇研究》等。
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内容介绍
  《英国散文名篇选注》为英国散文注释读物,精心挑选了128篇散文,为16世纪至20世纪中期英国96位散文名家(如莎士比亚、弥尔顿、班扬、笛福等)的代表作。
  《英国散文名篇选注》每篇文章后对文中较难的单词、短语或句子加以注释,帮助读者理解文章内容。
  《英国散文名篇选注》可用作英语专业学生的教材,也可用作英语爱好者的读物或学术研究参考资料。
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精彩书摘
  《英国散文名篇选注》:
  For a man to write well, there are required three necessaries: to read the best authors, observe the best speakers, and much exercise of his own style. In style, to consider what ought to be written, and after what manner, he must first think and excogitate his matter; then choose his words, and examine the weight.of either. Then take care in placing and rankingl both matter and words, that the composition be comely; and to do this with diligence and often. No matter how slow the style be at first, so it be laboured and accurate; seek the best, and be not glad of the forward conceits or first words that offer themselves to us, but judge of what we invent, and order what we approve. Repeat often what we have formerly written; which beside that it helps the consequence, and makes the juncture better, it quickens the heat of imagination, that often cools in the time of setting down, and gives it new strength, as ifit grew lustier by the going back. As we see in the contention ofleaping, they jump farthest, that fetch their race largest; or, as in throwing a dart or javelin, we force back our arms to make our loose the stronger. Yet if we have a fair gale of wind, I forbid not the steering out of our sail, so the favour of the gale deceive us not. For all that we invent doth please us in the conception of birth, else we would never set it down. But the safest is to return to our judgement, and handle over again those things, the easiness of which might make them justly suspected. So did the best writers in their beginnings; they imposed upon themselves care and industry. They did nothing rashly. They obtained first to write well, and then custom made it easy and a habit. By little and little, their matter showed itself to 'em more plentifully; their words answered, their composition followed, and all, as in a well-ordered family, presented itselfin the place. So that the sum of all is: ready writing makes not good writing, but good writing brings on ready writing; yet when we think we have got the faculty, it is even then good to resist it, as to give a horse a check sometimes with [a] bit, which doth not so much stop his course as stir his mettle. Again, whither a man's genius is best able to reach thither it should more and more contend, lift and dilate itself; as men of low stature raise themselves on their toes, and so oft-times get even, if not eminent. Besides, as it is fit for grown and able writers to stand of themselves, and work with their own strength, to trust and endeavour by their own faculties, so it is fit for the beginner and learner to study others and the best. For the mind and memory are more sharply exercised in comprehending another man's things than our own; and such as accustom themselves, and are familiar with the best authors, shaU ever and anon find somewhat of them in themselves, and in the expression of their minds, even when they feel it not; be able to utter something like theirs, which hath an authority above their own. Nay, sometimes it is the reward ofa man's study, the praise of quoting another man fitly; and though a man be more prone, and able for one kind of writing than another, yet he must exercise all. For as in an instrument, so in style, there must be a harmony and consent of parts.
  ……
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目录
1. JOHN LYLY(1554-1606)
EUPHUES' SPEECH TO LUCILLA

2. PHILIPSIDNEY(1554-1586)
SCENES IN ARCADIA
THE POET'S POWER

3. FRANCIS BACON (1561-1626)
OF TRUTH
OF DISCOURSE
OF STUDIES

4. WILLIAM SHAKESPEARE (1564-1616)
SHYLOCK'S PASSIONATE SPEECH
HAMLET'S ADVICE TO THE PLAYERS

5. BENJONSON (1572-1637)
OF STYLE

6. ROBERTBURTON (1577-1640)
THE POWER OF LOVE

7. THOMASOVERBURY(1581-1613)
A FAIR AND HAPPY MILKMAID

8. THOMAS HOBBES (1588-1679)
OF SPEECH

9. IZAAK WALTON (1593-1683)
THE MILKMAID AND HER SONG

10. JOHN EARLE (1601-1665)
ANANTIQUARY

11. THOMAS BROWNE (1605-1682)
THE EMBLEMS OF MORTAL VANITIES

12. JOHN MILTON (1608-1674)
ON CENSORSHIP

13. ABRAHAM COWLEY(1618-1667)
OF MYSELF

14. JOHN EVELYN (1620-1706)
THE GREAT FIRE

15. JOHN BUNYAN (1628-1688)
VANITY FAIR

16. JOHN DRYDEN (1631-1700)
SHAKESPEARE, BEAUMONT AND FLETCHER,AND BEN JONSON CHAUCER,THE FATHER OF ENGLISH POETRY

17. SAMUELPEPYS (1633-1703)
HIS DIVERSE INTERESTS

18. DANIELDEFOE (1660-1731)
THE SALVAGE FROM THE WRECK

19. JONATHAN SWIFT (1667-1745)
THE DIVERSIONS OF THE COURT OF LILLIPUT

20. RICHARD STEELE (1672-1729)
RECOLLECTIONS OF CHILDHOOD
……

THE SPECTATOR CLUB
A STAGE-COACH JOURNEY
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