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牛津英文经典:巴黎圣母院
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  • ISBN:
    9787544781541
  • 作      者:
    (法国)维克多.雨果
  • 译      者:
    A.J. 克莱尔谢梅尔
  • 出 版 社 :
    译林出版社
  • 出版日期:
    2020-05-01
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编辑推荐
《巴黎圣母院》奠定了雨果作为世界著名小说家的崇高地位,是法国浪漫主义文学的里程碑,小说的情节曲折离奇,紧张生动,变幻莫测,富有戏剧性和传奇色彩,当之无愧地登上了世界十大文学名著的宝座。 全书由牛津大学法语教授A.J.克莱尔谢梅尔(A.J.Krailsheimer)撰写导读并注释。
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作者简介
维克多•雨果(1802—1885),法国文学大师,19世纪法国浪漫主义文学的代表,被称为“法兰西的莎士比亚”,1841 年入选法兰西学院院士。其文学创作有诗歌、小说、戏剧、政论、散文随笔以及文学评论,卷帙浩繁。代表作有长篇小说《巴黎圣母院》《悲惨世界》等。
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内容介绍
《巴黎圣母院》以1482年路易十一治下的法国为背景,描述了吉卜赛女郎与圣母院教堂副主教弗洛罗、弃儿卡西莫多之间的纠葛,文采斐然,气势恢宏,人物的真、善、美和假、恶、丑皆被放大。长相奇丑、既聋且哑的卡西莫多有着一颗高尚纯洁的心。爱斯美拉达是美丽、纯洁的舞女,因不屈从圣母院教堂副主教弗洛罗的欲望,被他陷害致死。卡西莫多因失去心目中的偶像而绝望,愤怒地把弗洛罗从顶楼推下摔死,自己也到公墓,在爱斯美拉达的尸体旁自尽。
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精彩书评

在文学界和艺术界的所有伟人中,雨果是wei一活在法西兰人民心中的伟人。

——罗曼·罗兰

他教导所有的人要热爱生活,热爱美,热爱真理,也热爱法西兰。

——高尔基


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精彩书摘

Just three hundred and forty-eight years, six months, and nineteen days ago today Parisians woke to the sound of all the bells pealing out within the triple precinct of City, University, and Town.

The sixth of January 1482 is not, however, a day commemorated by history. There was nothing very special about the event which thus launched the bells and the people of Paris into movement from early in the morning. It was not an attack by Picards or Burgundians, not a procession of relics, not a student revolt in the Laas vineyard, not 'our aforesaid most dread sovereign Lord the King' making his entry, not even the fine spectacle of men and women being hanged for robbery at the Palais de Justice in Paris. Nor was it the arrival of some embassy, a frequent occurrence in the fifteenth century, all bedizened and plumed. It was hardly two days since the last cavalcade of that kind, the Flemish embassy sent to conclude the marriage of the Dauphin and Marguerite of Flanders, had entered Paris, much to the annoyance of the Cardinal de Bourbon, who, to please the King, had had to put on a welcoming smile for this rustic bunch of Flemish burgomasters and treat them, in his Hotel de Bourbon, to 'a very fine morality, satire, and farce', while torrential rain soaked the magnificent tapestries hung at his door.

What, in the words of Jean de Troyes,* 'excited all the people of Paris' on 6 January was the twofold celebration, combined since time immemorial, of the Feast of the Epiphany and the Feast of Fools.

That day there was to be a bonfire on the Place de Greve, a maypole set up at the chapel of Braque, and a mystery I4 Book One play at the Palaia de Justice. The news had been publicly proclaimed with trumpet calls at all the crossroads by the Provost's men, in their handsome tunics of purple camlet, with big white crosses on the front.

From early morning the crowd of townsfolk, men and women, had begun to come in from ·all directions, leaving houses and shops closed up, malting their way towards one of the three appointed places. Everyone had made a choice, some for the bonfire, some for the maypole, some for the mystery. It must be said, in praise of the age-old good sense of curious Parisians, that the majority of this crowd was making for the bonfire, which came very seasonably, or the mystery, to be performed in the sheltered and enclosed Great Hall of the Palaia, and that, by common consent, the curious left the poor maypole, with its scanty garlands, to shiver all alone under the January sky in the cemetery of the chapel of Braque.

The flood of people was particularly dense in the roads leading to the Palaia de Justice, because it was known that the Flemish ambassadon, who had arrived two days earlier, intended to be present at the performance of the mystery play and the election of the Pope of Fools, which was also to take place in the Great Hall.

It was no easy matter that day to gain admission to the Great Hall, though at the time it was reputed to be the largest enclosed and covered space in the world. (It is true that Sauval had not yet measured the great hall of the castle at Montargis.) To onlookers watching from their windows the Place du Palais, blocked with people, presented the appearance of a vast sea into which a dozen streets, like so many river mouths, continually disgorged fresh streams of heads. The waves of this human flood, constantly spreading, broke against the comers of houses projecting here and there like headlands into the irregular basin formed by the Place.


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目录

Introduction
Note on the Text
Select Bibliography
A Chronology of Victor Hugo
Notre-Dame de Paris
Note on Money
Explanatory Notes

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