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牛津英国文学史:英国文学的国际化/外国文学研究文库
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  • ISBN:
    9787521311488
  • 作      者:
    布鲁斯·金(Bruce,King)
  • 出 版 社 :
    外语教学与研究出版社
  • 出版日期:
    2019-09-01
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《牛津英国文学史: 英国文学的国际化》是“外国文学研究文库”系列第二辑的一本。该系列旨在将国外的文学学界的学术成果及时引进和介绍给我国外国文学学者、学生及爱好者,反映外国文学研究领域在世界范围的发展趋势与前沿探索。

该系列以英文原文的形式出版,并辅之以国内这一领域的资深学者撰写的导读,帮助读者把握作品的脉络,掌握其思想要点,更全面、更深入地理解作品要义。

本书的十二位女性作者结合社会历史语境中的性别政治,探讨了六位英国女作家作品的叙事结构和叙述技巧,从多个角度展现出女性主义叙事学的阐释策略。


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作者简介

布鲁斯·金(Bruce King)出生于美国,是一位研究英国前殖民地英语文学的知名学者,曾在英国布里斯托尔大学等多所大学任教,在这一领域出版过多部知名著作,如《德里克·沃尔考特的加勒比海人生》《V.S.奈保尔》和《现代印度英语诗歌》。

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内容介绍

《牛津英国文学史:英国文学的国际化》是一部关于当代英国移民文学的历史。全书自1948年写起,分为四章,除第一章的时间段为21年之外,其余三章均以十年为一分期;各章按文类分别介绍所属分期的小说、诗歌和戏剧。本书展现了传统文学批评细致深入的特点,述评结合,重在梳理流派风格和勾勒脉络,同时提供丰富的背景资料;评论时兼顾主题和写作手法,对作家创作和作品产生的各种语境亦予以关注。

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精彩书摘
  《牛津英国文学史:英国文学的国际化/外国文学研究文库》:
  Much of the novel consists of Ng's narration of the lives of the guerrillas. It seems an awful life, not worth living, only made bearable by a mixture of extreme idealism and knowledge that capture or surrender means torture and death. Eventually Ng is captured but survives because of an acquaintance, another renegade, who is now working for the Malai. When recaptured by the guerrillas, Ng realizes that he would no longer be able to live such a life: 'I'd rather be a slave in comfort than endure those conditions of freedom. Until now I'd never consciously posed that choice to myself(p. 371). He saves a Malai officer's son by shooting one of his friends among the guerrillas and buys his freedom.
  The Redundancy of Courage examines the complexities of freedom. There is the irony that independence from European imperialism results in a more brutal conquest and colonization by another of the recently liberated nations and that independence leaders soon find themselves fighting to survive in the jungle rather than talking abstruse notions of liberation in colonial comfort. Mo does not reduce his Danuese rebels to caricatures or inflate them to simple heroes. This is a society in all its complexity, whether in the search for food, differing views of engagements and tactics, the improvising of medicines, the treatment of peasants, rivalries, friendships, bravery, betrayals, fear, and incompetence. Ng bears the hardships of the guerrillas and becomes part of the leadership but he is still called a homosexual "Chinaman" and not trusted. This is a Naipaulian study of the complexities and dangers of freedom and becoming aware of oneself as capable of choice. The novel ends on an upbeat note of claiming the struggle will continue, and Ng can be said to have earned his place in Danu society and history by his unwilling, forced, role in the struggle. What was a way to survive has, ironically, become itself one of the legends of the struggle, thus, one might argue, fulfilling claims that belonging is not racial or being 'native' but having lived fully within a society. But is Ng like one of Ishiguro's narrators telling history in such a way as to justify himself?
  There is the ironic title of the novel, a redundancy being an unnecessary excess, a possible view of the liberation struggle, especially in the way it keeps bringing pain and death to the Danuese. Maybe Ng's feline ways of survival are better than the courage to feel pain and willingness to die for a cause? We are often reminded in the novel that the survival of the Danuese as a nation depends less on themselves than on the outside world. The pains the guerrillas suffer and inflict are little more than a way of attempting to influence world opinion.
  After Redundancy Mo disagreed with Chatto and Windus over the advance for Brownout on Breadfruit Boulevard (1995 ), a novel set in the Philippines, and he self-published it through his own Paddleless Press. Like Emecheta he challenged established trade publishing and found that he could earn as much publishing and distributing his books himself. In Renegade or Halo(1999), also published by Paddleless, the Renegade is Re, born of a black American father and a tribal Malaysian mother who works as a prostitute in the Philippines. Because of size and colour he is nick named Sugar-Ray, thus Ray, or Re. Those he is raised around speak a pidgin English in which intensity is indicated by doubling the word. As halo is a common Asian iced sweet, a sort of sundae, a hybrid of jellies, candies, beans, and fruits of many colours, he is also nicknamed Halo-Halo, the Halo-squared of the title. Re's life is an allegory of the postcolonial world. His creation is a result of American involvement in Vietnam and the Philippine sex industry; he is educated by Jesuits who train him to think clearly and unemotionally. He studies law and is soon part of a political gang whose way to power is to do the bidding of those holding power. It is, however, a brotherhood of the elite and he, an outsider, is framed for a murder others commit. This leads to his flight followed by travels to many of the newsworthy places of recent history.
  ……
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目录
General Editor's Preface
Abbreviations
A Note on References
Introduction

1. The End of Imperial England and the Seeds of the New: 1948-1969
I. New Immigrants
II. Prose: Culture Conflict and Lonely Londoners
III. Poetry: Swansongs, Birds of Passage
IV. Drama: West Indian Social Realists

2. Transformations:1970-1979
I. Ethnicity and the Myth of Revolution
II. Prose: Some Firsts
III. Poetry: Black Modernists
IV. Drama: West Indian Playwrights and Black Lives

3 Fragmentation and Internationalization: 1980-1989
I. Demanding Rights
II. Prose: From Exotic to British, Almost
III. Poetry: Performance and Dialect
IV. Drama: Black, Black Feminist, and Asian Brecht

4 England's New English Literature: 1990-2000
I. Celebrating Multiracial England
II. Prose: Remapping England
III. Poetry: Returning to the Page and the Self
IV. Drama: Histories

Conclusion
Author Bibliographies
Suggestions for Further Reading
Index
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